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The Man Who Schooled Wall Street - Print View - The Daily Beast

The Man Who Schooled Wall Street

M&A legend Bruce Wasserstein, who died Wednesday at 61, showed Wall Street that business could be done profitably and relatively risk-free—without bringing down the system or impoverishing taxpayers.

| October 14, 2009 7:47 PM EDT
cohan-bruce-wasserstein_56272

John Chapple, Rebel Images / Newscom

Bruce Wasserstein, the Wall Street M&A titan who died unexpectedly Wednesday at the age of 61, lived an extraordinary life of many chapters that together provide invaluable lessons for a Wall Street community still shaking from the financial calamities of the past few years.

Although risk-taking is a Wall Street hallmark, in truth, the business is full of tremendously risk-averse people who are more comfortable playing with other people’s money. At first, Wasserstein was in that camp, but as he matured and his M&A advice became less tried and true, he began to take risks with his own growing fortune. He was the only head of a Wall Street firm who was also the head of his own separate unaffiliated private-equity firm—something unheard of before him and unlikely to be repeated. And in a system that appears to have become undone because of a lack of focus, he embodied it. While Wasserstein may be remembered for his strong-arm M&A tactics and his “dare to be great” speeches, his greatest legacy may be one not of destruction but of preservation. By keeping Lazard’s time-tested business plan of providing only M&A advice and asset-management services to its clients—a business philosophy created by Lazard’s one-time patriarchs André Meyer, Felix Rohatyn, and Michel David-Weill—Wasserstein showed the rest of Wall Street that business can be done profitably and relatively risk-free, without bringing down the capitalist system and costing taxpayers $12 trillion and counting. Lazard has never taken a dime of TARP funds nor taxed our system in any way.

Wasserstein made more money from investment banking than any man on the planet.

The first chapter of Wasserstein’s life opened in Brooklyn, New York, where Bruce was a precocious Yeshiva student known for making up his own rules at Monopoly. He discovered early on that a lot more houses and hotels could be purchased by borrowing from the bank, even though that idea was not part of the game, at least the way the rules were written. His father owned a ribbon-manufacturing business in Lower Manhattan. Slowly but surely, the business thrived, allowing the family to move from Brooklyn to the Upper East Side when Bruce was a teenager. He enrolled at the now-defunct McBurney School, then a West Side institution from which Lazard’s Rohatyn also graduated. Soon enough, Wasserstein was testing the rules again, and after he wrote some silly headlines for the school newspaper, of which he was the editor, the school’s headmaster kicked him off the paper.

At 16, Wasserstein left New York for the University of Michigan, where the somewhat slovenly and unkempt but brilliant young man wrote revolutionary screeds for the university’s daily newspaper. As a reporter for the Michigan Daily, he covered the uprisings in Berkeley as a campus correspondent. After Michigan, Wasserstein went to Harvard, where he was one of the first to enter a joint program in business and law. He also married the woman who would become his first wife, whom he had met at Michigan. (Wasserstein would eventually marry four times.) During his postgraduate traveling Knox Fellowship to Cambridge, England, he studied British merger law while his fellow students worried about America’s involvement in Vietnam.

When he returned to New York from England, Wasserstein went to work at Cravath, Swaine & Moore, the preeminent law firm, where almost immediately he impressed senior partner Sam Butler with his energy and his rare brilliance in M&A tactics and strategy. He also impressed Cravath’s clients, as well as Joe Perella, then the lone person in First Boston’s fledgling M&A group. Perella quickly latched on to Wasserstein and figured they would make a dynamic duo. Perella was right. They became a pair of M&A insurgents.

Wasserstein was one of the first lawyers to leave law for the far more lucrative investment-banking business. At that time, Lazard, Goldman Sachs, and Morgan Stanley dominated the mergers and acquisitions business. At First Boston, Wasserstein and Perella had to offer clients something different, and that difference turned out to be Wasserstein’s technical and strategic brilliance. He pioneered takeover techniques—such as the “street sweep,” the now-outlawed step of buying the stock of a target at will in the open market before launching a deal—and the use of “bridge loans” as a way to help corporate raiders buy companies they otherwise couldn’t afford. He helped corporate raiders such as T. Boone Pickens and Ron Perelman win deals. Wasserstein’s M&A hijinks, however, came a cropper when he advised Robert Campeau, a previously unknown Canadian real-estate developer, to buy first Allied Stores Corporation and then Federated Department Stores, using other people’s money, including millions from First Boston. When Allied and Federated filed for bankruptcy, the together comprised the largest bankruptcy filing of all time. Creditors lost billions. First Boston lost hundreds of millions of dollars itself.

The end of Wasserstein’s career at First Boston came when he made a power play to become head of the bank. He failed, but triumphed by starting Wasserstein Perella & Co. with a bunch of First Boston’s superstars. But business started to get tougher at Wasserstein Perella in the aftermath of Wasserstein’s failed advisory assignments. The once-fawning financial press turned on him, and he became the brunt of jokes and less than flattering articles. In a cover story, Forbes magazine dubbed him “Bid ’Em Up Bruce.”

When his five-year contract was complete, Perella quit the firm, and left to his own devices, Wasserstein became more and more difficult to work with. The firm was losing steam, and the rumor was it could no longer meet its payroll. But the ever-canny Wasserstein figured out a way to sell the firm at the top of the market to Dresdner Bank, for $1.4 billion in 2000. He personally pocketed $600 million of profit. But soon he alienated his bosses in Germany an was looking for a way out. Allianz, which by then had bought Dresdner, paid Wasserstein his full $75 million three-year contract before the end of his first year to be done with him.

Shortly after September 11, 2001, Lazard patriarch David-Weill, who had tried twice previously to hire Wasserstein, finally convinced him to join Lazard as CEO.

Wasserstein quickly resurrected Lazard—and would soon buy out David-Weill to take control of the firm. Wasserstein’s $30 million investment in Lazard rose in value to around $600 million, as the firm’s stock spiked up after it went public. Indeed, Wasserstein made more money from investment banking than any other man on the planet who did not inherit it first.

Wasserstein mysteriously disappeared from the firm in early 2006 and came back to the office in May looking noticeably thinner and unwell. Lazard never explained why. That year his sister Wendy, the Pulitzer Prize-winning playwright, died of cancer. Wasserstein decided to adopt her child, whose birth became a public affair thanks to Wendy’s writing and the fact that she never disclosed the identity of the father. In recent years, Bruce Wasserstein has shied away from much involvement in deals, with the noticeable exception of his recent participation in Kraft’s still-tentative efforts to buy Cadbury.

Today, Wall Street would be a very different place if firms looked more like Lazard and Greenhill and less like Bear Stearns and Lehman once did. By keeping Lazard’s original focus, Wasserstein has left an enduring legacy that the rest of Wall Street would do well to emulate.

William D. Cohan, a former senior-level M&A banker on Wall Street, is the author of The Last Tycoons: The Secret History of Lazard Freres & Co, and his new best seller House of Cards: A Tale of Hubris and Wretched Excess on Wall Street.

October 14, 2009 7:47pm

Jan
27th
Thu
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Amazing read- WSJ- when not to buy an airline ticket…

Just read this very interesting article on WSJ.com. If you haven’t read it already, here is the link: http://online.wsj.com/article/SB10001424052748704062604576105953506930800.html

Jan
25th
Tue
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Facebook: Overview — Trefis

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Go here to get Flash.
Trefis’s graphical modelling tools require Flash, but here’s a preview of some of the content you’ll see once Flash is enabled:

Investment Overview for Facebook (FBOOK)

DISCLAIMER

Facebook is a private company.  Our analysis of Facebook is based on limited, publicly available information and our own estimates.  You can refer to the “How we got historicals” section for any forecast to learn about where we source our information and how we’ve estimated unavailable information.
${header:valuation}
  1. Text & Display Ads constitute 60% of the ${trefisprice}
  2. Credits on Games & Applications constitute 17% of the ${trefisprice}
    Our estimate for Facebook’s per share price is based on 2.34 billion shares outstanding.  This figure is based on the 2.268 billion shares as reported by sharespost.com, an online marketplace for private investments, plus the shares issued as a result of the $500 million investment by Goldman Sachs and Digital Sky announced in January 2011 as well as the $1 billion invested by private clients of Goldman Sachs.  The number of shares issued is determined based on a $50 billion pre-money valuation and implies about 68 million new shares issued.  For the purposes of our analysis, we have assumed that 100% of the new $1.5 billion investment is based on new issuance rather than the purchase of existing shares.  See further down below for details related to our estimate of Facebook’s net cash balance.

    ${header:potential}
    Below we highlight key drivers of Facebook’s value that present opportunities for upside or downside to the current Trefis price estimate for Facebook.

    Facebook Text & Display Ads
    • Monthly Unique Visitors to Facebook: We estimate that Facebook’s average monthly unique visitors has increased from around 19 million in 2006 to 340 million in 2009, and it could continue to increase to more than 2 billion by the end of the Trefis forecast period.  The availability of Facebook in large markets like China, where it is currently blocked, and the improvement of privacy controls on Facebook will be important in achieving such growth.  With about 4.2 billion internet users worldwide expected by the end of our forecast period, there is room for additional upside for Facebook.  There could be an upside of more than 40% to the Trefis price estimate for Facebook’s stock if the number of unique visitors were to increase to around 3 billion by the end of Trefis forecast period. 
    • Page Views per User on Facebook: We expect Page Views per User to increase from around 415 per month in 2010 to about 470 per month by the end of Trefis forecast period. Facebook has taken a few initiatives of late to improve the engagement on its site. These initiatives are: 1) Encourage users to upload more photos, which creates a viral effect among user’s friends, 2) Facebook’s e-mail feature, which is expected to draw more user engagement and 3) Increasing number of applications on Facebook as applications become part of the user’s news feed making it more likely that other users who view his feed will take actions on the same applications. There could be an upside of about 15% to our valuation for Facebook if page views per user increases to around 550 per month by the end of Trefis forecast period, instead of the 470 that we forecast.  On the other hand, there could be a downside of about 10% to our valuation for Facebook if page views per user remain stagnant at 410 per month by the end of Trefis forecast period.
    Search Advertising.
    • Facebook’s Search Market Share: Facebook’s search market share is expected to increase from 0.9% in 2008 to 1.9% in 2010, and we expect it to increase to around 5.6% by the end of Trefis forecast period. Facebook’s partnership with Microsoft will enable Facebook to use Microsoft Bing technology, thereby providing more relevant search results to the user. If Facebook can take some search market share away from Google, and if its market share were to increase to around 10% by the end of Trefis forecast period, there could be an upside of 10% to our valuation for Facebook.
    For additional details, select a driver above or select a division from the interactive Trefis split for Facebook at the top of the page.
    Besides the Trefis valuation for Facebook and the recent investment by Goldman Sachs and DST, there have been a variety of other valuation benchmarks for the company.  For example, in December 2010, BusinessInsider quoted Wedbush Morgan analyst Lou Kerner estimating that Facebook could valued at $200 billion by 2015. In August 2010, CNN quoted reports from Next Up Research (from earlier in 2010) indicating a valuation of $11-13 billion.  Recent trading activity on secondary markets such as SharesPost and SecondMarket suggest a valuation of greater than $50 billion for Facebook.  See our 4 Key Businesses That Determine Facebook’s Valuation for a detailed comparison of the Trefis valuation for Facebook with other valuations.

    ${header:summary}Facebook is a popular social network that helps people connect with family and friends. The company makes money primarily through display advertising.  In addition, Facebook facilitates the purchase of virtual goods in games and applications running on Facebook’s platform through its Facebook Credits, a virtual currency.  Facebook also generates a significant number of internet search queries and earns search ad revenues as a result.

    ${header:sourcesofvalue}We believe that the Text & Display Ads business is the primary source of value for Facebook for the following reason:

    Facebook Social Ads are primarily self-serve ads that appear on the right hand column of most Facebook pages and can be highly targeted to appear to specific users. The Facebook ad system is primarily self-serve and provides real-time feedback on the size of the target audience and the suggested bid range to achieve impressions. The system is based on a live auction model, which means that the more advertisers are willing to spend per impression, the more frequently their ad will appear. 

    The Facebook self-serve ad system offers very powerful targeting capabilities: when advertisers create an ad, they have the option to limit who sees the ad by age, sex, location, keywords, education level, workplaces, political views and relationship status. Facebook Social Ads are limited in that they contain only a small static image and a few lines of text.

    Facebook gives advertisers the opportunity to advertise on its website pages, and target users based on demographics such as age, gender, education and location. These advertisements show up on the Facebook site pages alongside profile and other user related data.
    Facebook also allows large advertisers to form custom fan page profiles. Custom fan page is an effective form of advertising as it allows users to send stories related to an advertisers’ custom fan page to their friends via news feed. This creates viral effect and is an effective marketing tool for advertisers.

    ${header:trends}

    Better demographic targeting based on user information and activity will lead to higher ad prices on FacebookFacebook allows for targeted advertising based on user demographics. We expect this will lead to higher click-through ad pricing as focused targeting will prompt advertisers to bid for higher amounts to ensure display of their advertisements

    Increasing number of ads per pageFacebook mostly displayed three ads per page from 2006 until the fall of 2010 when it increased this to four ads per page.  We expect that Facebook will continue to increase the ads per page over time and that this will have a positive impact on average ad revenue per page

    Growing Search activity on Facebook
    The number of searches on Facebook has grown at a fast rate from around 900 million in July 2009 to 1.6 billion in Dec 2009, as per Comscore. This growth is faster than Google, although Facebook search growth comes off of a smaller base. Interestingly, the number of searches on Facebook has surpassed AOL. As of July 2009, the number of searches conducted on AOL was more than a billion. However, in December 2009, the number of searches conducted on Facebook surpassed 1.5 billion. 

    Growing Revenues from Games & Applications

    People buy virtual goods on games like FarmVille and Mafia Wars using Facebook’s virtual currency called Credits.  During 2010, Facebook Credits became the exclusive payment method for most of the games created by Zynga, the No. 1 developer of Facebook applications. Over time, the company plans to turn Credits into a system for micropayments that could be open to any application on Facebook.
    FACEBOOK’S CASH BALANCE

    In March of 2009, BusinessWeek reported that Facebook had drawn down about $60 million of a $100 million credit line from TriplePoint Capital.  In May of 2009, Facebook raised $200 million from Digital Sky Technologies. BusinessInsider indicated in September of 2009 that Facebook became cash flow positive in Q2 of 2009, the same quarter as the investment from Digital Sky.  Of the $416 million in equity funding that Facebook received prior to Digital Sky’s investment, we estimate that Facebook had about $50 million in cash left during the period in which it became cash flow positive.  
    Based on this, Facebook’s net cash by the end of Q2 2009 would have been about $190 million ($50 million cash on hand plus $200 million Digital Sky investment, less $60 million debt).  We believe that Facebook has been reinvesting the bulk of the cash it generates back into the business and we have not tried to account for any additional increases in its cash balances since becoming cash flow positive.  Furthermore, we have increased Facebook’s cash balance by $1.5 billion based on the investment by Goldman Sachs, Digital Sky and private clients of Goldman Sachs announced in January 2011.  Consistent with our adjustment to Facebook’s share count based on this investment, we have treated 100% of the investment proceeds as cash to Facebook based on the issuance of new shares.

    How Does Trefis Modelling Work?

    How do we get the historical numbers for this chart?

    Trefis has a team of in-house Analysts who gather historical data from company filings and other verifiable sources. When historicals are available, we explain how we got them at the bottom of the Trefis analysis section below.

    Who came up with the Trefis forecast for future years?

    The Trefis team of in-house Analysts considers a variety of factors when projecting any forecast. The rationale for our projections is explained in the Trefis analysis section below.

    How does my dragging the trendline on the chart impact the stock price?

    1. We use forecasts for business drivers to calculate forecasted Revenues and Profits for each division of the company.
    2. We then use forecasted Profits in a Discounted Cash Flow (DCF) model to obtain the Price Estimate for the company.
    See more on: DCF Methodology

    View All Help Topics

    —>
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    Mac OS X keyboard shortcuts

    Mac OS X keyboard shortcuts

    • Last Modified: October 29, 2010
    • Article: HT1343
    • Old Article: 75459
    Print this page

    Summary

    Learn about common Mac OS X keyboard shortcuts. A keyboard shortcut is a way to invoke a function in Mac OS X by pressing a combination of keys on your keyboard.

    Products Affected

    Mac OS X 10.0, Mac OS X 10.3, Mac OS X 10.2, Mac OS X 10.1, Mac OS X 10.4, Mac OS X 10.6, Mac OS X 10.5

    To use a keyboard shortcut, or key combination, you press a modifier key with a character key. For example, pressing the Command key (the key with a symbol) and the “c” key at the same time copies whatever is currently selected (text, graphics, and so forth) into the Clipboard. This is also known as the Command-C key combination (or keyboard shortcut).

    A modifier key is a part of many key combinations. A modifier key alters the way other keystrokes or mouse clicks are interpreted by Mac OS X. Modifier keys include: Command, Control, Option, Shift, Caps Lock, and the fn key (if your keyboard has a fn key).

    Here are the modifier key symbols you can see in Mac OS X menus:

    Command key icon (Command key) - On some Apple keyboards, this key also has an Apple logo (applelogo)
    Control key icon (Control key)
    Option or Alt key icon (Option key) - “Alt” may also appear on this key
    Shift icon (Shift key)
    Caps lock icon (Caps Lock) - Toggles Caps Lock on or off
    fn (Function key) 

    Startup keyboard shortcuts

    Press the key or key combination until the expected function occurs/appears (for example, hold Option during startup until Startup Manager appears, or Shift until “Safe Boot” appears). Tip: If a startup function doesn’t work and you use a third-party keyboard, connect an Apple keyboard and try again.

    Key or key combination What it does
    Option Display all bootable volumes (Single User Mode


    Finder keyboard shortcuts

    Key combination What it does
    Command-A Select all items in the front Finder window (or desktop if no window is open)
    Option-Command-A Deselect all items
    Shift-Command-A Open the Applications folder
    Command-C Copy selected item/text to the Clipboard
    Shift-Command-C Open the Computer window
    Command-D Duplicate selected item
    Shift-Command-D Open desktop folder
    Command-E Eject
    Command-F Find any matching Spotlight attribute
    Shift-Command-F Find Spotlight file name matches
    Option-Command-F Navigate to the search field in an already-open Spotlight window
    Shift-Command-G Go to Folder
    Shift-Command-H Open the Home folder of the currently logged-in user account
    Command-I Get Info
    Option-Command-I Show Inspector
    Control-Command-I Get Summary Info
    Shift-Command-I Open iDisk
    Command-J Show View Options
    Command-K Connect to Server
    Shift-Command-K Open Network window
    Command-L Make alias of the selected item
    Command-M Minimize window
    Option-Command-M Minimize all windows
    Command-N New Finder window
    Shift-Command-N New folder
    Option-Command-N New Smart Folder
    Command-O Open selected item
    Shift-Command-Q Log Out
    Option-Shift-Command-Q Log Out immediately
    Command-R Show original (of alias)
    Command-T Add to Sidebar
    Shift-Command-T Add to Favorites
    Option-Command-T Hide Toolbar / Show Toolbar in Finder windows
    Shift-Command-U Open Utilities folder
    Command-V Paste
    Command-W Close window
    Option-Command-W Close all windows
    Command-X Cut
    Option-Command-Y Slideshow (Mac OS X 10.5 or later)
    Command-Z Undo / Redo
    Command-1 View as Icon
    Command-2 View as List
    Command-3 View as Columns
    Command-4 View as Cover Flow (Mac OS X 10.5 or later)
    Command-, (Command and the comma key) Open Finder preferences
    Command-` (the Grave accent key—above Tab key on a US English keyboard layout) Cycle through open Finder windows
    Command-Shift-? Open Mac Help
    Option-Shift-Command-Esc (hold for three seconds) - Mac OS X v10.5, v10.6 or later only this article)

    Application and other Mac OS X keyboard commands  

    Note: Some applications may not support all of the below application key combinations.

    Key combination What it does
    Command-Space Show or hide the Spotlight search field (if multiple languages are installed, may rotate through enabled script systems)
    Control-A Move to beginning of line/paragraph
    Control-B Move one character backward
    Control-D Delete the character in front of the cursor
    Control-E Move to end of line/paragraph
    Control-F Move one character forward
    Control-H Delete the character behind the cursor
    Control-K Delete from the character in front of the cursor to the end of the line/paragraph
    Control-L Center the cursor/selection in the visible area
    Control-N Move down one line
    Control-O Insert a new line after the cursor
    Control-P Move up one line
    Control-T Transpose the character behind the cursor and the character in front of the cursor
    Control-V Move down one page
    Option-Command-Space Show the Spotlight search results window (if multiple languages are installed, may rotate through keyboard layouts and input methods within a script)
    Command-Tab Move forward to the next most recently used application in a list of open applications
    Shift-Command-Tab Move backward through a list of open applications (sorted by recent use)
    Shift-Tab Navigate through controls in a reverse direction
    Control-Tab Move focus to the next grouping of controls in a dialog or the next table (when Tab moves to the next cell)
    Shift-Control-Tab Move focus to the previous grouping of controls
    Command-esc Open Front Row (if installed)
    Option-Eject Eject from secondary optical media drive (if one is installed)
    Control-Eject Show shutdown dialog
    Option-Command-Eject Put the computer to sleep
    Control-Command-Eject Quit all applications (after giving you a chance to save changes to open documents), then restart the computer
    Control Option-Command-Eject Quit all applications (after giving you a chance to save changes to open documents), then shut down the computer
    fn-Delete Forward Delete (on portable Macs’ built-in keyboard)
    Control-F1 Toggle full keyboard access on or off
    Control-F2 Move focus to the menu bar
    Control-F3 Move focus to the Dock
    Control-F4 Move focus to the active (or next) window
    Shift-Control-F4 Move focus to the previously active window
    Control-F5 Move focus to the toolbar.
    Control-F6 Move focus to the first (or next) panel
    Shift-Control-F6 Move focus to the previous panel
    Control-F7 Temporarily override the current keyboard access mode in windows and dialogs
    F9 Tile or untile all open windows
    F10 Tile or untile all open windows in the currently active application
    F11 Hide or show all open windows
    F12 Hide or display Dashboard
    Command-` Activate the next open window in the frontmost application
    Shift-Command-` Activate the previous open window in the frontmost application
    Option-Command-` Move focus to the window drawer
    Command- - (minus) Decrease the size of the selected item
    Command-{ Left-align a selection
    Command-} Right-align a selection
    Command-| Center-align a selection
    Command-: Display the Spelling window
    Command-; Find misspelled words in the document
    Command-, Open the front application’s preferences window (if it supports this keyboard shortcut)
    Option-Control-Command-, Decrease screen contrast
    Option-Control-Command-. Increase screen contrast
    Command-? Open the application’s help in Help Viewer
    Option-Command-/ Turn font smoothing on or off
    Shift-Command-= Increase the size of the selected item
    Shift-Command-3 Capture the screen to a file
    Shift-Control-Command-3 Capture the screen to the Clipboard
    Shift-Command-4 Capture a selection to a file
    Shift-Control-Command-4 Capture a selection to the Clipboard
    Command-A Highlight every item in a document or window, or all characters in a text field
    Command-B Boldface the selected text or toggle boldfaced text on and off
    Command-C Copy the selected data to the Clipboard
    Shift-Command-C Display the Colors window
    Option-Command-C Copy the style of the selected text
    Control-Command-C Copy the formatting settings of the selected item and store on the Clipboard
    Option-Command-D Show or hide the Dock
    Command-Control D Display the definition of the selected word in the Dictionary application
    Command-E Use the selection for a find
    Command-F Open a Find window
    Option-Command-F Move to the search field control
    Command-G Find the next occurrence of the selection
    Shift-Command-G Find the previous occurrence of the selection
    Command-H Hide the windows of the currently running application
    Option-Command-H Hide the windows of all other running applications
    Command-I Italicize the selected text or toggle italic text on or off
    Option-Command-I Display an inspector window
    Command-J Scroll to a selection
    Command-M Minimize the active window to the Dock
    Option-Command-M Minimize all windows of the active application to the Dock
    Command-N Create a new document in the frontmost application
    Command-O Display a dialog for choosing a document to open in the frontmost application
    Command-P Display the Print dialog
    Shift-Command-P Display a dialog for specifying printing parameters (Page Setup)
    Command-Q Quit the frontmost application
    Command-S Save the active document
    Shift-Command-S Display the Save As dialog
    Command-T Display the Fonts window
    Option-Command-T Show or hide a toolbar
    Command-U Underline the selected text or turn underlining on or off
    Command-V Paste the Clipboard contents at the insertion point
    Option-Command-V Apply the style of one object to the selected object (Paste Style)
    Option-Shift-Command-V Apply the style of the surrounding text to the inserted object (Paste and Match Style)
    Control-Command-V Apply formatting settings to the selected object (Paste Ruler Command)
    Command-W Close the frontmost window
    Shift-Command-W Close a file and its associated windows
    Option-Command-W Close all windows in the application without quitting it
    Command-X Remove the selection and store in the Clipboard
    Command-Z Undo previous command (some applications allow for multiple Undos)
    Shift-Command-Z Redo previous command (some applications allow for multiple Redos)
    Control-Right Arrow Move focus to another value or cell within a view, such as a table
    Control-Left Arrow Move focus to another value or cell within a view, such as a table
    Control-Down Arrow Move focus to another value or cell within a view, such as a table
    Control-Up Arrow Move focus to another value or cell within a view, such as a table
    Command-Right Arrow Move the text insertion point to the end of the current line
    Command-Left Arrow Move the text insertion point to the beginning of the current line
    Command-Down Arrow Move the text insertion point to the end of the document
    Command-Up Arrow Move the text insertion point to the beginning of the document

    Shift-Command-Right Arrow

    Select text between the insertion point and the end of the current line (*)
    Shift-Command-Left Arrow Select text between the insertion point and the beginning of the current line (*)
    Shift-Right Arrow Extend text selection one character to the right (*)
    Shift-Left Arrow Extend text selection one character to the left (*)
    Shift-Command-Up Arrow Select text between the insertion point and the beginning of the document (*)
    Shift-Command-Down Arrow Select text between the insertion point and the end of the document (*)
    Shift-Up Arrow Extend text selection to the line above, to the nearest character boundary at the same horizontal location (*)
    Shift-Down Arrow Extend text selection to the line below, to the nearest character boundary at the same horizontal location (*)
    Shift-Option-Right Arrow Extend text selection to the end of the current word, then to the end of the following word if pressed again (*)
    Shift-Option-Left Arrow Extend text selection to the beginning of the current word, then to the beginning of the following word if pressed again (*)
    Shift-Option-Down Arrow Extend text selection to the end of the current paragraph, then to the end of the following paragraph if pressed again (*)
    Shift-Option-Up Arrow Extend text selection to the beginning of the current paragraph, then to the beginning of the following paragraph if pressed again (*)
    Control-Space Toggle between the current and previous input sources
    Option-Control-Space Toggle through all enabled input sources
    Option-Command-esc this article.
    Key combination What it does
    Command-F5 or
    fn Command-F5
    Turn VoiceOver on or off
    Control Option-F8 or
    fn Control Option-F8
    Open VoiceOver Utility
    Control Option-F7 or
    fn Control Option-F7
    Display VoiceOver menu
    Control Option-;
    or fn Control Option-;
    Enable/disable VoiceOver Control Option-lock
    Option-Command-8 or
    fn Command-F11
    Turn on Zoom
    Option-Command-+ Zoom In
    Option-Command- - (minus) Zoom Out
    Option-Control-Command-8 Invert/revert the screen colors
    Control Option-Command-, Reduce contrast
    Control Option-Command-. Increase contrast

    Note: You may need to enable “>screen colors

    Control Option-Command-, Reduce contrast
    Control Option-Command-. Increase contrast

    Note: You may need to enable “Use all F1, F2, etc. keys as standard keys” in Keyboard preferences for the VoiceOver menu and utility to work.


    Universal Access - Mouse Keys

    When Mouse Keys is turned on in Universal Access preferences, you can use the keyboard or numeric keypad keys to move the mouse pointer. If your computer doesn’t have a numeric keypad, use the Fn (function) key.

    Shortcuts for Mouse Keys.

    Additional Information

    Advanced: This article refers to the default modifier key assignments. Modifier key assignments can be changed in the Keyboard & Mouse preferences pane of System Preferences. For example, you can change the Command key to act as an Option key, and vice-versa. You can also restore default modifier key settings.

    I found this useful, so thought of sharing

    Jan
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    Google’s decision to abandon Caps Lock. - By Christopher Beam - Slate Magazine

    GOOD RIDDANCE

    The long-overdue movement to abandon Caps Lock.

    THE END IS NIGH. That’s the message Google sent last week when it unveiled its new laptop, the Google Cr-48 notebook. The computer has all kinds of new features—Chrome OS, a simplified design, and free broadband. But perhaps the boldest change is Google’s decision to ditch the Caps Lock key. In its place is a Search button, denoted with the image of a magnifying glass. Users can still designate the search key as the Caps Lock—they just have to take the time to change a few settings. But the default is that if you want capital letters, you have to hold down Shift.

    Google's new search key. Click image to expand.What’s most shocking about Google’s announcement isn’t that it’s scrapping Caps Lock—it’s that the button has lasted this long. Caps Lock originated with typewriters. The first typewriter to include both upper- and lowercase letters was the Remington No. 2, introduced in 1878. (Before that, typewriters printed only in uppercase. Stop shouting at me, writers of the 19th century!) Uppercase letters were typed by holding down a “shift” key that would literally shift the carriage so that a different part of the type bar—the part on which a reverse uppercase letter was printed—would hit the ribbon. The problem was, it was hard to hold down the shift key for more than a few letters. So typewriter manufacturers added a “Shift Lock” button that would keep the carriage elevated until the button was released. It was a useful innovation: Typewriters didn’t have options for italics or bold or underlining, so capitalization was the only way to emphasize words.

    The first computers didn’t have “Shift” keys at all since all text was uppercase anyway. But when mass-market personal computers like the Commodore 64 and the Atari 800 were introduced in the late 1970s and early ’80s, manufacturers tried to make them as similar to typewriters as possible. Consumers were wary of the new machines, so familiarity was important. That meant including a “Shift Lock” or a “Caps Lock” for old time’s sake. (There is a difference: Shift Lock prints the secondary symbols on all keys, like the % and # signs, whereas Caps Lock only capitalizes letters.)

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    In those early years, the Caps Lock key had no fixed position. Some manufacturers put it on the right side of the keyboard. Others put it in the lower left, below the Shift key. It wasn’t until IBM adopted the 101/102-key Model M keyboard in 1984 that Caps Lock became semi-permanently ensconced in its current location above the left Shift key. (The International Standards Organization certified that keyboard design in 1994.) Early Caps Lock keys also stayed down when you pushed them down; push them again, and they’d pop back up. To cut costs, companies switched to regular spring buttons with an LED that lit up when Caps Lock was engaged.

    Caps Lock had its uses back in the olden days. Some of the earliest computers were business machines, used to input product keys and other strings of letters and numbers that often included all caps. Some of the first programming languages, like FORTRAN and Basic, were composed entirely in caps. (They didn’t always require Caps Lock, mind you—a lowercase a would often automatically show up as A.)

    Ye olde caps lock key.By the 21st century, Caps Lock had become an outdated scourge. Modern-day personal computing—surfing the Web, writing school papers, chatting online—doesn’t require nearly as much capitalization. As of 2010, the most-common Caps Lock users are enraged Internet commenters and the computer-illiterate elderly. The key’s location makes it a frequent target for an aCCIDENTAL STRIKE when your pinky reaches for the “a.” Worst of all, Caps Lock occupies prime real estate that could be deeded to a more useful key, like Control or even a second Enter button. In 2006, Belgian computer programmer Pieter Hintjen launched the “Caps Off” campaign to persuade hardware manufacturers to abandon the key. Their slogan: “STOP SHOUTING!” Many online publications ban comments that are typed in all caps. Some people pry the offending key right off their keyboards in protest.

    So why has Caps Lock stuck around so long? The simplest explanation is technological inertia. Computer companies have long been obsessed with reverse compatibility, or the ability of any new product to support old software. People are more likely to buy a new computer, the thinking goes, if they can still access their old files and don’t have to change their habits. As a result, computers have almost always been additive: more keys, more programs, more functions. That was the logic behind carrying over the Caps Lock key from typewriters to personal computers, and every new keyboard designer has probably thought the same thing: If it ain’t broke, don’t fix it.

    And, yes, Caps Lock does have its merits. There’s no question that capital letters do a better job EMPHASIZING WORDS than bold or italics. (See what I mean?) It’s also useful for HTML and legal documents and people who can’t see very well. The gaming world offers another niche use: If the Shift button makes your character run, you can sometimes use Caps Lock to make him run forever. And without Caps Lock, how could Kanye West fully express himself? (Sample tweet: “JUST GOT TO LONDON!!! YOU KNOW I HAD TO PUT MY CAPS LOCK ON! I DON’T TYPE IN CAPS CAUSE I’M MAD I TYPE IN CAPS CAUSE I’M LAZY!!!”)

    Nor is Caps Lock the only key deserving of criticism. The function keys (F1 to F12) are useless to the average user. Scroll Lock dates back to DOS, when you needed to use the arrow keys to scroll up and down a screen. The Pause and Break keys, vestiges of the days of teletype, are used almost exclusively by programmers. Even Google’s new Search button could get annoying. At least when you accidentally hit Caps Lock, it merely changes the text. If you hit Search by mistake, it opens a whole new browser tab.

    Will scrapping Caps Lock really increase civility on the Web, as one Google employee told Business Insider? Doubtful. If someone wants to blast out their reaction to a YouTube video in all caps, they still can. (The easiest way is to highlight any normal text and hit Shift-F3. So, I guess those function keys aren’t entirely useless.) Plus, you can also say nasty things in lowercase.

    More likely, Google’s decision to ditch the pesky key is one more step in the decline of casing itself. As e-mail and texting have become primary forms of communication, expectations of proper spelling and grammar have diminished. Capital letters aren’t necessary to get your point across—why bother with Shift, let alone Caps Lock?

    “perhaps the day will come when caps will be out of favor and will be mere embellishments,” writes former George Mason University technology professor Virginia Montecino in a caps-less e-mail. “i see an overall simplification of text, in a world in which more people communicate in a written form than any previous generation, crossing boundaries of age, gender, nationality, geographic borders, ideologies.”

    Google eliminated Caps Lock in order to simplify the keyboard. They may be simplifying the language, too. Does Google intend to overhaul English itself? The keyboard on the new Cr-48 notebook offers a hint: The letters are all in lowercase.

    Like Slate on Facebook. Follow us on Twitter.

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    Imagine - Haruki Murakami Part 1

    A Wild Sheep Chase ;)

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    Book Review - India Calling - By Anand Giridharadas - NYTimes.com

    Homeland Revisited

    Ruth Fremson/The New York Times

    Calcutta, 2009.

    In the middle of his accomplished book, “India Calling,” Anand Giridharadas tells of meeting a Maoist revolutionary in Hyderabad. The city, nicknamed Cyberabad, serves as a base for both the globalized Indian economy and an armed insurgency at war against the country’s inequalities, rooted and new. India’s Maoist — or Naxalite — movement began as a rural struggle against exploitative landlords in a caste-conscious, socialist nation but has now arrayed itself against the forces of global capitalism reshaping India. When Giridharadas pushes the Naxalite — What does one fight have to do with the other? — the man answers with a striking notion: globalization is reducing people to their specific economic task, stripping them of their humanity, just as caste had done. And software engineers in gated communities have become the new Brahmins. Giridharadas follows the curve of this argument, allowing it to seduce us. Then, he reveals that this rebel, although waging revolution by night, reports by day for a newspaper he himself describes as a shill for the multinational transformation of India. “I have to earn my lunch,” the man explains. “I’m not a whole-timer for revolution.”

    INDIA CALLING

    An Intimate Portrait of a Nation’s Remaking

    By Anand Giridharadas

    273 pp. Times Books/Henry Holt & Company. $25

    Multimedia

    The scene accentuates Giridharadas’s appeal as a writer. “India Calling” has what Hanif Kureishi once described as “the sex of a syllogism.” Full-figured ideas animate every turn. So, simultaneously, does Giridharadas’s eye for contradiction. The combination both pleases us and makes us wary — distrustful of shapely ideas, including the author’s own.

    complete article on nytimes.com

    Jun
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